Written by Randi
Brill, Am Shalom Board Member and trip participant
January
27, 2014
Today
begins DAY 3 of four days in Havana. There is much to see, absorb, discover,
and experience. Yet, there is a patina, a sort of film over it all, that I have
a strong desire to peel away. It’s like the opening of a movie that starts with
a watercolor painting and gradually morphs into today’s clear world. In Cuba,
that watercolor world IS today—and it is very much in focus. The clarity with
which I see everything is so sharp, so crisp, with colors so vivid that they
feel like another sort of paint—powerful and pure acrylics, swirling straight from
the tubes.
My
designer’s eye feels both electric and kinetic at once. Even with my medley of
physical cameras, I’m unable to keep up the many images my mind’s camera is
capturing so much more rapidly. Doorposts, archways and crumbling chunks of stone,
with their jumbles of juxtaposed paint colors, reinforce my realization that
there is no bad photo to be taken here.
Everywhere you look is another photo
waiting to be taken.
And yet with all of this striking imagery, it is
equally clear that there is a powerful undercurrent, heavily pulling at much of
this country, locking it into a time long past for those of us only visiting
here. Parts of Havana seem like Mayberry. Life moves much more slowly and simply
than our frenetic lives at home. With no technology or cell coverage, there are
no incessant pings, dings, or rings to distract from the only job required
here: to be present. And I am.
I
flip from absorbing and recording to clicking and capturing. At the same time,
I fall into a familiar activity from my work, figuring out what makes other
people tick by attempting to put myself in their shoes. My mind wanders. How would I be and feel if I lived here,
wearing these shoes? How would I contend
with having so few choices and so little power to create change? I feel a
growing knot at the mere thought of it.
Then
I realize that creating change is what I do as naturally as breathing in my world. If I’d lived my entire life
here, I would not know what it is to create change. I would not know how much
choice and power I’d be missing. I’d only know the familiarity of my own Cuban
existence. As I walked early today, the city was waking up. People were walking
slowly and presumably to work, they were cueing into lines to wait, or sitting
on corners, talking or not. They were not rushing, carrying cups of Starbucks, or
listening with earbuds in private isolation. These people were simply out on
the streets, showing up for the gift of this day.
“Boker
Tov.” “Boker Or.” The light. There’s a fine light here, I think. I see in my
mind’s eye an image from our early walk. It was a strong ray of light. A little
boy was clearly on his way to school. He wore a backpack, sturdy black shoes, bright
blue kerchief around his neck, and a crisp white shirt. As he slowly meandered,
his little smile was genuine. He was clearly happy to start his day—in his
world, the only world he knows. As he grows up, this familiar world of his will change into something new and
different.
WHAT?
No one knows, no one says, no one is sure, and no one declares. Many might
wonder, sort of. On this bus, we imagine and envision. Where we live, we think
we know. Here, they know that they do not.
The
concept of change will be so unfamiliar to Cuba. I toy absently with the change
management strategies that will no doubt begin for people for whom such ideas
will be so foreign. Regardless of the specifics, having so little choice will
gradually be replaced by more choice—of some variety. And there will be catch
up—a lot of catch up.
I
recognize a metaphor. With Crohn’s Disease, for years I could eat only plain,
bland, typically beige foods. Highly disciplined, I never deviated from these
foods, never risked the painful price to cheat. After major surgery, finally
free of tubes and able to eat, a tray of “real” hospital food appeared. Instinctively,
my alarms went off. “I am not allowed this food!” Quite a discussion ensued and
my doctor finally arrived. He said, “Randi, you CAN eat this now. You will not
get sick. Your body is fixed. Now, your brain must to catch up. Eat the corn
soup and you will see.”
The
Cuban people will likely encounter a great many “new foods.” They, too, are
likely to struggle with newfound options, whatever they may be. They may also need
to incorporate an increased speed of life if a technological explosion courses
through this country. Will the music be even faster, the Jews even stronger, the
colors even brighter, and the textures even richer?
I only hope that with all the gains that may come, this splendor only grows.
I only hope that with all the gains that may come, this splendor only grows.
Clearly,
my quick blog post has also grown, the surface of this experience barely
scratched. And yet next I must capture my time in Cuba in only six words—by
dinner.
Hemmingway
did it.
“For
sale. Baby shoes. Never worn.”
Wow.
I’m no Hemmingway.
The
incredible woman we met at the museum did it, too.
“Don’t
try to understand this country.”
So
I will try.
“A Jewish community determined to survive.”
“Changes,
choices, coming. Connections, cultures, uncontained.”
The
title of this blog is six words, too.
“Cuba:
On the Cusp of WHAT?”
We must
all wait for that answer. In the meantime, we must continue to act, continue to
take care, and continue to show up to climb those haystacks. I have a strong
feeling I will be back.
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